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The Dervishes had to walk in a well-determined
manner. If any of the semazens had difficulty in following the others
correctly, this imperfection was noticed immediately. The dervish
first took a right step, then remained motionless (for a
moment) leaning on the toes of his left foot. Afterward, he took a left step
and leaned this time over the toes of his right foot. This was
how three rounds were completed.
We don't have a clear idea for the meaning
of these three tours around the hall. This was called Devr-i Veled
or the tour of Sultan Veled, the founder of the order. Some
people suggested that it represented the three degrees of
rapprochemen towards the Divine Reality: "the recognition, the discovery
and the existence"

At the end of
these three rounds, the sheyh stopped in front of the sheep skin and saluted
the community. All the members of the community returned his salute, and
at that point music changed to the rhythm of the ayin.
First, the dervishes took off their cloaks with their right
hands. After kissing their cloaks, they folded and
deposed them on the floor (with hems touching the floor) so that
the dervishes could pick them up easily after the sema. The sheyh
and the semazenbasi remained totally dressed. When the sheyh
advanced towards the sheepskin, the semazenbasi placed himself just
in front of him. They saluted each other. Then, the
first semazen advanced with hands on his shoulders and
kissed sheyh's hand who in return kissed the dervish's sikke
. In this way, the dervish took permission to perform the sema, and
after having taken three steps, he started whirling. The
rest of the dervishes followed him. Most of the spectators didn't even
notice semazenbasi who indicated, by the simple movement of
his foot, the place where the semazens should whirl. If he put his
foot little backward, the "semazen" had to whirl in the
middle of the hall, a privilege granted especially to "semazen"
whose sema was admired. When he put his foot little ahead, the semazen
remained on the edges of the platform. After the passage of the last dervish,
the 'semazenbasi' saluted the sheyh and started to control the rhythm of
the sema. When he noticed that one of the dervishes moved slowly
comparing to others, he approached him. Upon having seen his
shadow, the semazen tried to keep up with the right rhythm. To prevent
the contact of tennures, semazenbasi often placed himself
between two dervishes. He never walked on the invisible line, or he never led
sema outside the circle traced by the dervishes. During the sema, the
semazen turned around his own axis, namely on his left leg. He
accomplished the turn by pushing himself with his right foot, by
pronouncing the syllables Al and lah, just completing the name of God at
every turn.
At the same time, he also kept his arms wide open, while the palm
of his right hand opened towards the sky, the palm of his left
hand faced towards the earth. According to Mevlevis, that was how the
divine grace was spread to the world.
We can't continue without indicating a
contradiction that surprises us. Although the "semazen" fell
into an ecstasy and felt the Divine Being in him during the sema, he
also followed the orders of the semazenbasi and heard semazenbasi's footfall
accomplished with the tip of his shoe. Mevlevis had perhaps the right to
say that the semazen saw with his foot. At the end of approximately 15
minutes, the first part ended with a salute. The dervishes stopped suddenly,
put their hands on their shoulders and sealed feet. Soon,
they sought for another dervish on their side to lean and to
keep their balance. They also turned their gaze upwards and closed
their eyes to faciliate this even more. At this moment, one could see groups
of two, three or four dervishes. After a short break, the music
continued at slower rhythm. For the second session, the sheyh
advanced towards the sheepskin and everything unrolled just like
beginning of sema. However, this time neither the dervishes nor
the sheyh exchanged traditional kisses.
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Sema Ritual Sema 2 Sema 3
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